Posts Tagged ‘Seth Godin’

Cogs and Widgets

Over and over again, in every industry, precisely the same calculation takes place. “Should I pay significantly more to have it done the old way, the local way, the traditional way, the way that pays my neighbor a living wage—or should I keep the money?”

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Abstract macroeconomic theories are irrelevant to the people making a million tiny microeconomic decisions every day in a hypercompetitive world. And those decisions repeatedly favor fast and cheap over slow and expensive.

Over the weekend I picked up Seth Godin’s new book, Linchpin: Are You Indispensable? from the library. (My hold request was behind a few others. I think this is a good thing: it means there’s people in the Sarasota area who (a) use the library for its intended purposes, and (b) know enough about Seth Godin to want to reserve his new book within the first few weeks after it hits the shelves.)

I’m still only in the first chapter, but I really like what I’ve read so far. This seems to be a bit different from Godin’s previous books.

I can’t quite put my finger on it, but he almost seems to be focusing more on sociological issues and concepts in this book’s opening, where previous books started off using more personal anecdotes and individual experiences. It makes Linchpin feel like it doesn’t belong with his previous “business/marketing” books so much as with McKibben’s Deep Economy and Postman’s Technopoly.

I like that. And even if it’s not how the rest of the book will read, it’s still good for Godin. Criticism levied toward the ideas in his books often takes the tone of “he’s just a clueless huckster using anecdotes to advance untested ideas.” This opening shows that, at the very least, he’s done his homework.

Confession: I was Lazy.

Yesterday I published a two-month-old draft without first checking to see if the terminology it referenced was still being used in the blog post I took to task. It wasn’t.

I dropped the ball.

I screwed up.

I’m sorry.

I’m still a bit touchy about the theme of the referenced post, but that’s my problem: I’ve been burned by some quasi-cultic groups where the people running the show tend to take innocuous words and make them pregnant with implications.

But that’s something I need to deal with, and I need to stop thinking that there’s always some hidden, sinister meaning behind the words people choose to use. Life is too short to spend it tilting at windmills.

In ::cough cough:: entirely unrelated news, I’m not going to the Campaign for Liberty rally in Minneapolis. I like their blog, though.

If you tell a story in the woods and nobody understands it, does it make any sense?

I’ve had this post sitting in my drafts since June, because it’s pretty rough on Megan (and Nicole said I shouldn’t post it). So why am I releasing it into the wild, blue series of tubes now? Because earlier today Megan’s boss, Seth Godin, wrote something that echoed the sentiments of this post: some people just won’t “get it,” but you shouldn’t insult them when it happens. Thanks, Seth!

The way Abraham Piper puts it, authors who want to be understood need to consider how their readers think. Of course, a storyteller could just take the stance held by Megan Casey at Squidoo, and when they don’t “get it,” label their audience “unimaginative”*.

Now sure, in the latter case you’re insulting a (vast?) portion of your audience in an effort to boost your own ego (“surely it’s their problem, not mine!”), but you can always double back and talk about how much you love the poor idiots, no really, and how it’s not their fault—they just can’t help it.

There’s a quote I’ve heard for years. It’s probably mangled by each person who references it; I know it’s been attributed to a few different people, including Einstein and E.F. Schumacher. Anyway, the quote goes like this: “Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius—and a lot of courage—to move in the opposite direction.” If you find that your story (or business plan, or advertising model, or political platform) leaves most people scratching their heads, perhaps you’re not telling it well.

Surely this is one of the biggest reasons why Ron Paul failed to successfully capture the hearts and minds of the American people. He’s got some brilliant ideas, but he never quite figured out how to communicate them in a way the audience could understand and believe. (“Guns and butter,” anyone? I didn’t even get the reference, and I’m one of those “crazy Paulites”!)

The whole point of telling a story to an audience is to communicate something they don’t already understand—because if they truly understood it as you do, then they’d already be doing it. So if your audience doesn’t get the story before you tell it, that’s normal and to be expected; but if they still don’t understand after you tell it? You’re just not telling it well. When that happens, it’s your problem, not theirs. Don’t insult their intelligence (or their imagination) because they didn’t immediately jump on your particular train of thought.

Now please don’t think I’m just going to pick on Megan: she understands the proper course of action. She goes on in that same post to provide examples of different ways to tell the Squidoo story in an effort to help more people “get it.”

I guess it’s just the terminology that bugs me. As I see it, to judge an audience’s intelligence by how quickly they grasp your particular concept is lazy… and it can prove suicidal to your business. Megan contrasts the “imaginative” person (who made over 100 Squidoo lenses) with the “literal-minded” (unimaginative) person (who made 1 lens, was confused by or unimpressed with Squidoo, and left) and says that of course the “imaginative” person is better (and implies the “literal-minded” person requires hand-holding)! Me, I’m thinking maybe the latter person had enough imagination to see that no matter what was done, a Squidoo lens wasn’t going to meet their needs. It’s a completely valid conclusion, unless you have a cult-like lack of imagination obsession over the object of your affection.

Now if you want nothing more than a cult following from the far reaches of the long tail, then maybe this sort of attitude is okay; but if you’re trying to appeal to the masses—trying to bring in the “unimaginative”—you can’t afford the sort of narcissistic arrogance which blames others for not recognizing its “obvious” beauty.

* UPDATE: I was lazy, and failed to re-check the SquidBlog before hitting “Publish.” Had I done that, I would have noticed that Megan is now referring to “unimanginatives” as “literal-minded,” which is still kinda, sorta implying that people only give up on Squidoo because they “don’t get it” (rather than “Squidoo doesn’t meet their needs”), but as I said my biggest beef was with the terminology, I screwed up on this one.

It’s YouTube, but way, WAY better!

Seth Godin recently pointed his blog readers to TimeTube, a YouTube/Dipity mashup:

Screenshot: TimeTube

This is brilliant! Perhaps not helpful for every video search you’d ever run, but many searches would be aided by this sort of results display. Google’s already testing a timeline-based search results system; they need to get on the ball and add this functionality to YouTube (and/or Google Video).

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